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Mark Fearnley

Shadow Stories. These images I took while I was traveling last year. Lines, shadows, silhouettes, negative space and human solitude is the theme I was continuously looking for. Creating a strong mood and feeling to my work.

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Ryan Hardman

ONLY in Plymouth. This is a long-term project exploring the anthropological society of Plymouth City which often exhibits theatrical scenes amongst its residents. Around every corner, there is an interesting scene or light Cascading between the 1950s Soviet feeling Architecture.

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Guille Ibanez

Corporate Adventures. As a profesional cameraman and photographer, I work for all sorts of customers and I often find myself at ‘corporate’ environments. Contrary to popular belief, these are places full of colour and life.

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Cam Crosland

Fishing With Dynamite. I originally became hooked on street photography in 2010. My philosophy in life is to squeeze every opportunity out of my circumstances by working with what I have, rather than focusing on what I haven’t got, and using ambient light was a part of that mindset.

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Tim Topple

Domestic (Dis)order. This ongoing project started with the birth of my eldest daughter as the only solution I could find to carrying on with the type of photography I was interested

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Simon King

A series of complimentary images with an emphasis on limited colour palettes for a minimalist aesthetic which draws the attention to the atmosphere above all else.

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Benjamin Gordon

Streets of Pain & Glory. The world can be tough, cruel and sometimes its hard to get through. Photography is my therapy, helping me to reflect and understand my position in the world. It’s fascinating and painful.

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Mark Heathcote

‘Unreality’ or ‘The World is a More Beautiful Place Through the Eyes of a Photographer’. This project is a reflection of the weird things you can see if you know how to look. On my photographic journey I have learnt how to see, and I find the world much more beautiful as a result.

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Darran K Roper

Fragments of Sight. Photos from a collection of street photos i’ve been working on. My work is unposed, I go for form and colour instinctively and like to crowd subjects in if I can.

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