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Marika Poquet

COLORFUL ETHIOPIA. I keep looking for something magical and candid to photograph. I wander in the streets, trying to be invisible, looking for something beautiful, funny, unexpected, surprising or ambiguous, trying to capture what Henri Cartier Bresson called “the decisive moment”, when everything comes together in a perfect moment, and you hit the shutter.

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Ian Weldon

Photography . I wouldn’t say that there is any project in particular. As with everything else I do, I just photograph what interests me and usually, that’s people. Rather than having any predetermined idea of what I want to photograph. I apply my process to the act and the lines are becoming blurred with the multiple the project I’m working on. It’s just becoming one project about the things I see, and my relationship to those things. These photographs may have been made on the street, or out in public, but I’ve no interest in trying to define them by […]

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Oya Akkul

Simple things! ‘I believe in the beauty of simple things, I believe that the most uninteresting thing can be interesting.’ Saul Leiter

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Stefano Carotenuto

Hands down I don’t get it. Editing my pictures I’ve noticed that limbs and hands gestures are a recurring pattern in my photography. The title of this series is obviously a word pun about what actually link all these pictures.

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Baiana Maicol

In a new space. NY, 26-30 June. I decided to take a break from the countryside in which I live in northeastern Italy, to immerse myself in the multiculturalism of the American metropolis. Free to spend five days and dedicate to what is my greatest passion, street photography. The first night at the pub in Brooklyn I met a guy, who immediately told me “Hey dude, don’t visit New York, live it!”. Inside me I tried to live so totally Manhattan, walking in a sort of reality without space and time. I felt that I lived moments without coordinates, living […]

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Emi Cercel

“All things are photographable” so says Garry Winogrand. I am a passionate street wanderer and I use my camera to shoot anything that catches my eye or touches my soul within my home city Bucharest, Romania or other places I visit. I enjoy the light vs. shadow game, the layers, the gestures and the overall human presence that makes the observer questions what is being seen within the frame.

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Margarita Mavromichalis

A Second In Our Life. As a photographer, I am mostly attracted by the human being, and its presence (or sense of presence) in my frame is of utmost importance. I travel the world to catch special moments that will convey surprise, wonder and hopefully some humor stemming from the daily life of people around me. I am mostly intrigued by our differences as I find that the more I learn, the more I grow as an individual. It’s the everyday serendipity that happens and often goes unnoticed that fascinates me and excites me in ways that nothing else does.

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Emre Çakmak

From Meditation To Comprehending The Life Through People. Street photography is not only a meditation now. It has turned into the most important way of expressing myself and comprehending life through people.

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Barry Lewis

Postcards from America. This set of images was my response to the USA after returning to London from a Californian road trip in the spring of 2015. I have been photographing America since 1968 when I worked as a brakeman on the Newhaven railroad, following my hero Jack Kerouac.

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Rafaelem

Cubanismo. It’s a long-term project with a documentary sense, since within this project I have a “subproject” twinning this beautiful country with my Andalusia land. The twinning of the Cuban people with the Andalusian people is something that, although not much has been said about it, has become latent for me, especially in the idiosyncrasies of people’s related lifestyles.”

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Sotiris Lamprou

Aliartos Blues. Even though I have traveled a lot, my surroundings have a far more predominant place in my imagery. The small town of Aliartos, my place, is situated in the center of Kopais fertile plain, a drained marsh. I like to stroll all over this dystopian, yet lifeful land, recording the moodiness and grace of its landscape and population, locals, immigrant workers or the Roma community.

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